Author: Judi Triani, 1983, 197pg. (Indonesian), Photocopied version.
Publisher: Judi Triani, Jakarta
This thesis represents the final undergraduate work of Judi Triani, an esteemed member of Himpunan Wastraprema. To date, there has been a notable absence of published monographs or comprehensive studies addressing the evolution of Batik Madura in the twenty-first century, rendering Triani’s contribution particularly significant within the field of Indonesian textile scholarship. Her research provides a rare and valuable perspective on the cultural, artistic, and socio-economic dimensions of Batik Madura during a period of rapid modernization and globalization. Tragically, Judi Triani passed away in Jakarta in 2015, leaving behind a legacy of dedication to the preservation and academic study of Indonesia’s textile heritage.
Author: Lee Chor Lin et all. 2022. 468 pg. (in English)
Publisher: Asian Civilization Museum, Singapore.
“Batik Makers and Wearers” delves into the rich history and culture of batik and batik-making, tracing its traditional roots to contemporary design. This book accompanies the exhibition titled “Batik Kita: Dressing in Port Cities,” which was held at the Asian Civilizations Museum from June 17 to October 2, 2022.
Author: Raja Fuziah binti Raja Tun Uda, 2012. 202pg. (English)
Publisher: Ministry of Information, Communication and Culture, Malaysia
The period from 1960 to 1990 was crucial in the development of Malaysian batik, as wax-stamped batik peaked in popularity with diverse motifs and colors. The traditional batik sarong evolved into yardage for tailored clothing, and other materials besides cotton were introduced for wax stamping and freehand drawing.
Author: Karina Rima Melati (Ed.), Hani Winotosastro, Tien Suhartini, Murdijati Gardjito (Ed.), Fkorencia Irena Kurniawan, Afuf Syakur, Suhartanto, 2021. 252 pgs, (Indonesian & English), Hardcover
Publisher: Sekar Jagad, Yogyakarta, Bank Indonesia Yogyakarta
Batik Nitik represents the oldest and most historically significant form of batik in Yogyakarta. Recently, it has been granted Geographical Indication (GI) status, a legal recognition that affirms the collective ownership of a distinctive cultural product by batik artisans within a defined region of Yogyakarta. This designation underscores that Batik Nitik has successfully met rigorous criteria relating to quality standards, cultural reputation, the specialized use of the canting nitik tool, and the unique aesthetic characteristics inherent to the craft. As a result, Batik Nitik now enjoys formal protection under Intellectual Property Rights (IPR), ensuring both the preservation of its cultural heritage and the safeguarding of its economic value for local communities.
Author: Ari Wulandari,, 2011. 278pgs, (Indonesisn) Softcover
Publisher: ANDI, Yogyakarta
While Yogyakarta, Surakarta, and Pekalongan are widely recognized as prominent centers of batik production, they represent only a fraction of the rich and diverse traditions found across the Indonesian archipelago. Numerous other regions contribute to this cultural heritage, each distinguished by unique stylistic characteristics, symbolic motifs, and localized techniques that reflect their historical and social contexts. In light of this vast diversity, the author introduces this volume under the title Batik Nusantara—or Archipelago Batiks—to emphasize the breadth of regional expressions and to celebrate the collective artistry that defines Indonesia’s batik tradition."
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