Author: Before 2017, 117pg. (Uzbeki language)
Publisher: Islam Karimov Foundation, Uzbekistan
A publication of Ikat Textiles from Uzbekistan showcasing beautiful pieces from the hands of Uzbeki ikat artisans.
Author: Marianne Van Vuuren, 2001, 198PG. (Dutch & English). Softcover
Publisher: Marianne van Vuuren, Netherlands
This volume offers a comprehensive examination of the ikat textiles of Tanimbar, situated in the eastern reaches of the Indonesian archipelago, within the Moluccas. These textiles, previously undocumented in such detail, are analyzed through their social and cultural significance in Tanimbarese society. The author elucidates the symbolic meanings and historical origins of the motifs, presenting an extensive catalogue of more than 250 distinctive designs, accompanied by photographs and illustrations that enrich the study.
Author: unknown, 2001. 128pgs. (English, French. German, Italian, Spanish, Portuguese). Softcover. Included: CD ROM.
Publisher: The Peppin Press, Agile Rabit edition, the Netherlands
This volume functions as both a visual design compendium and an inspirational resource, presenting a curated selection of high-quality images of resist-dyed textiles. It is accompanied by a digital archive—available either as downloadable files or via CD-ROM—intended to support creative practitioners. The book’s most striking feature lies in its close-up photographic documentation, which captures the distinctive blurred or feathered contours that constitute the hallmark of ikat weaving traditions. In addition, the inclusion of ready-to-use digital pattern files renders the work particularly valuable for graphic designers, artists, and fashion researchers, who may draw upon its motifs for contemporary adaptation and experimentation. Rather than positioning itself as a comprehensive historical or anthropological study, the book is best understood as a creative sourcebook and motif archive. Its primary contribution lies in facilitating aesthetic exploration and design innovation, offering a bridge between traditional textile practices and modern visual culture. In this sense, it serves as a practical repository of visual references rather than a scholarly ethnographic treatise, situating itself within the domain of applied creativity rather than academic historiography. This version corrects grammar and structure, enriches the vocabulary, and situates the text within a more scholarly framework. It emphasizes the book’s role as a design resource while clarifying its limitations as an academic text.
Author: Peter ten Hoopen, 2018. 600 Pg. (English)
Publisher: Hongkong University Press, Hongkong
The author showcases textiles from his Pusaka Collection on his website, linking them to their social roles in Indonesian traditions. This substantial volume has garnered mixed reviews from Southeast Asian textile experts. While readers can appreciate the author's four-decade passion for Indonesian textiles, he should also recognize the work of colleagues who have explored this topic before.
Author: Peter ten Hoopen. 2022 320 pg. (English)
Publisher: Sidestone Press, Leiden, Netherlands
The author presents a study on ikat in Timor from a technological viewpoint, microscopy, and design analysis of asymmetry. The presentation also includes the distribution of shared motifs with other surrounding smaller islands, as well as ikat in its social context. The book was awarded the 2023 ICAS Book Prize Accolades.
Page 51 of 151